We got a couple of great question from "anonymous" in the comments section this week:
I'm sure you have been asked this question but what is the hardest thing about being a writer? And what is the hardest thing about attending an MFA program?I'm sure the other Longstockings (and writers who read us) will have more to add, but I think there's a pretty simple answer to both of these questions:

You have to eat.
As I'm sure everyone you know has told you, writers very rarely make enough to live on. There are a variety of approaches to this problem: from the day job you hold down strictly to pay the bills, to building a career that somehow ties into your book-loving and creativity, to hooking up with a sympathetic and well-earning life partner or living with supportive and nonjudgmental parents.
Of those options, only the third really leaves you as much time as you'd like for writing and/or schoolwork, and it can come with a whole host of emotional baggage and guilt at getting to do what you love all day without contributing any money to the household. If you're in school, that's added to by the knowledge that you're going into debt to get a degree that, unlike your partner's MBA, is not a good financial investment.
Plus, it can get kind of lonely.
I personally spent a long time on the day job circuit, which let me focus on my writing (yay!) but, I found, put waaay too much pressure on my writing to succeed: "This book has to sell for a bajillion dollars, because I just can't face another month of boring chores in this boring cubicle." I sent out a draft of my WIP well before it was ready, and when I received the inevitable rejections I felt like I was being sentenced to life in solitary confinement.
Now I'm trying Door #2, a
job where I spend all day with kids and books. (Double yay!) Holding down a job you care about definitely takes time away from writing, but in my experience, it also makes writing a lot more fun: I'm doing it because I want to write this book, not because I need this book to get published and rescue me from my otherwise humdrum life.
But the fact is, different writers have different needs (except that "eating" thing, which is pretty universal). That's another challenge of writing: figuring out what works for you, while usually receiving a deluge of advice from people whose solutions only work for them.
Do you think some people would actually benefit by NOT going to an MFA program?Hmm, that's a tricky one. I loved my MFA program, so my first impulse is to say "No! Of course not! Get thee to school!" But as I was saying, part of being a writer is figuring out what YOU need, not going out and getting what someone else needed.
If you have a strong belief in your own vision, that you think will never be affected by the opinions of others; if criticism tends to stop you in your tracks, and make you abandon your WIP; if the only workshops you've found are full of people who think there's only one right way to write a book; if you are incredibly self-motivated and don't need deadlines or encouragement; if you're willing to learn by making all the mistakes on your own, rather than by learning from the mistakes your friends make; if you just love writing and don't really care about getting published, or love the fun parts of writing and don't feel like going through the hell that is producing a publishable manuscript--all of which are perfectly valid approaches to your art--then yeah, you probably don't need an MFA.
Ask around,
see what other people got out of their MFA programs (scroll down for the Longstockings answers). If that's something you need in your life, start getting those applications together. If not, then carry on, Soldier.
Good luck!
-Kathryne