Friday, January 30, 2009

Please don't go, girl



Well, today is a bittersweet, sad day. Today, I sit in my favorite coffee shop/cupcake place, alongside one of my very favorite people. But yall, I'm sad! Because tomorrow, Miss Shove-on Vivian leaves Brooklyn, New York for parts far, far away. I think we all know how crucial, how vitally important it is to have a writing partner who gets you and gets your work. How much more important it is to have a friend who gets you and your work! She is all that and more. She is a great writer and a true friend.

Her book Same Difference is coming out in March, and we got to see the finished copy a week ago. I have to tell you, I felt such pride when I saw that thing, so pretty and glossy, with my friend's name on it. I felt pride for my friend and also pride that I had some small part in that great, terrific book coming to fruition. When The Summer I Turned Pretty comes out, I am pretty sure Siobhan will feel the same thing, because my success is hers and vice versa. She has helped make my book infinitely better, and without her sitting across from me, making funny faces and jokes, I don't know what I will do. I will be very sad and Brooklyn will be a lot less sparkly without her.

Siobhan Vivian, you are one to miss. This song is for you, dear dear friend. I struggled with which to pick-- should I go with Miss Dale Evans's Happy Trails? Milli Vanilli, Girl I'm Gonna Miss You? But no. I will keep it real, keep it old school. Keep it classic.



always your girl,
Jenny

Some Sara Zarr Genius

Sara Zarr has a really great post on Self Doubt at Teen Fiction Cafe. I highly recommend bookmarking this little ditty as a pre-read warm-up before a scary day of typing. I am having one of those on this very Friday. *deep breath* Thanks for the zen, SZ!

-=siobhan=-

Thursday, January 29, 2009

Are you my boss?

The hardest thing about working for yourself is there's no one to impress. Yeah, it's great being able to set my own dress code and work from my couch--when I'm feeling motivated. When I'm not, I would actually appreciate having someone to cast a beady eye over my desk every now and then, and make sure I'm staying on-task. Someone to yell at me if I miss my targets and congratulate me if I go above and beyond.

Instead, I've had to concoct this person in my head. For a while there, Editorial Anonymous was my imaginary boss. She updates on weekends, and I would read the blog every Monday morning and it was like a really great supervisor giving the team a pep talk and sending me off to work. Somehow, starting out my writing week in the business/editing line of things got me really motivated to plunge into the artistic end, to hasten the day when I, too, could use all the good advice about not submitting hand-written manuscripts decorated with glitter glue.

Lately I've been turning to Justine Larbalestier, who has been taking questions on her blog about the writing process. Even if the question she's addressing doesn't have anything to do with my specific writing issue, I still find it good to start the day thinking about craft.

And then she posted the answer to a question about being creatively drained, and told the questioner that, as far as Justine is concerned, getting rest is always a good thing. What was left of my work ethic went on vacation.

Part of me says, "it's fine. January is always tough. Creativity has ebbs and flows. Stop being so hard on yourself. Just because words aren't getting on to the page doesn't mean you're not working. You're marinating. You're mulling. It's all part of the process."

The other part of me, the part that if I were legally allowed to work in this country would be out looking for a job right now, is really disgusted with me. That part keeps yelling, "who CARES if you feel like it or not? This is your JOB, you spoiled woman! Were you inspired to show up and deal with 100 pre-teens every single day you taught last year? No! But you made your own inspiration, because it was your JOB! Now, get back on that couch and get to work!"

This is where it would come in really handy to have another person who was in charge of me. Because, while it's true that one of those voices is pretty self-serving, both make good points. I've tried to power through writer's ennui before, and it generally just results in headaches and that really yucky feeling you get from surfing the internet all day. On the other hand, my experience of inspiration is that it definitely rewards showing up at your desk every day and getting yourself in the habit of being inspired. Then there's the fact that this opportunity to write full-time was a stroke of luck, which I can't waste. But, you can say the same about the opportunity to spend the afternoon in Kensington Gardens taking pictures of swans.

If I had a boss, I would have someone outside of my brain to cast the deciding vote. Instead, I think I'm in for a few weeks of feeling like no matter what I'm doing, it's the wrong thing.

--Kathryne

P.S. Kidlit connection for the swans: those pictures were taken in Kensington Gardens, where J.M. Barrie met the family that gave him the idea for Peter Pan. See, I was out looking for inspiration! And tea and cake at the Kensington Palace cafe. But mostly inspiration.

Wednesday, January 28, 2009

More Lovely Longstockings news!


This just in from Publishers Marketplace:

Jenny Han's second and third books in THE SUMMER I TURNED PRETTY trilogy, in which Belly continues to grapple with a choice between the two constant loves of her life and which she's meant to be with forever, again to Emily Meehan at Simon & Schuster, by Emily van Beek at Pippin Properties, in a good deal, for publication Summer 2010 and Summer 2011 (NA).

So exciting!!!!!!!
Congratulations Jenny!



xoxoxoxo
lisa gw

Kudos for KENDRA

I am very pleased to say that Coe’s wonderful book has been selected as both an ALA Best Book AND an ALA Quick Pick- hooray for KENDRA!! For those of you who haven’t read it yet, you must. It’s on these lists for a reason!

Congrats Coe!!

# daphne

Monday, January 26, 2009

The 30-Minute Writer

I'm currently revising my WIP during Bridget's 30-40 minute nap every morning. It's going all right: I have good ideas about where I want to take the book, and I'm making teeny tiny bites of progress each day. But having only a half an hour or so to write means that I can't sit down at my laptop and diddle around online for awhile to get my brain warmed up (which I used to looooove to do). I've got to get crackin' as soon as my butt hits the seat!

So, here are some tips I've found to warm up for brilliant writing in just five minutes:

*Find a song that captures the mood and tone of the book or main character. Listen to the song as you make your tea and get ready to sit down and type. (For my WIP, I've chosen "Realize" by Colbie Caillat. It's filled with longing. My MC is also filled with longing.)

*Close your eyes and picture your main character. Imagine her doing something, even if it's just brushing her teeth. Imagine her talking to her best friend for a minute. Listen to their voices. Picture them in your setting. Transfer the MC's voice into your head.

*Upon starting up your computer, IMMEDIATELY open your Word doc. Do not check your email, not even for a second. Do not scan the news headlines. Do not check your blog (sorry Longstockings). Open your Word doc and skim the last two pages you wrote. Then put those fingers on the keyboard and TYPE LIKE YOUR LIFE DEPENDS ON IT!!


If you have more tips, please send them. I'm hoping to get through this revision before spring. Eeeek.

*caroline hickey

Happy Newbery Day!

You can watch the live Webcast at 7:45 a.m. MT and 9:45 a.m. EST here.

Then come back to The Longstockings and let's discuss the winners!

xoxo
Lisa GW

Friday, January 23, 2009

COMPLETELY Lost In Translation!!!

I love getting to see the foreign editions of books....especially MY books! And so, it was with great excitement that I tore open a package from Chronicle and saw the Danish version of Vunce Upon A Time.

(i've substituted grontsags in place of hello all day long!)

Aside from awesome cover/title reinterpretations, I also love flipping through the text to see my words all foreign-y and fancy. This is as close as I will ever come to being bilingual! And, though fun for five minutes, I don't expect to see many words that I recognize. I guess that's part of why I was totally, toooootally freaked out to see this on the very last page, in place of The End.


Ummm.... wha? : )

I really hope this translator was a trustworthy fellow, otherwise I might be jailed for corrupting Danish youth if I ever visit Copenhagen!

-=siobhan=-

Thursday, January 22, 2009

RIP TEEN


Today, Hearst decided to nix Teen. Last October, they snuffed out CosmoGirl.

Dude. Will there be any teen magazines left in 2010?

*sigh*

-=siobhan=-

I love The Cuffies

Quick Question


I want to do an informal poll: what do you guys think of author photos? Are you glad to see one on the book or do you prefer no picture? And for those of you who are authors, do you think it's good to have your picture on that back flap or that it doesn't really matter one way or the other? I happen to be a fan of them and am curious how other people feel. All answers appreciated!

#daphne

Wednesday, January 21, 2009

Teen Angst Revisited...

Well, I finally got my hands on a copy of DOES THIS BOOK MAKE ME LOOK FAT?, an anthology edited by Marissa Walsh. These are stories and essays about body image, weight, self-esteem, and just feeling that your body is too _______________ (fill in the blank!)

I've been waiting to see the finished book because my short story "How to Tame a Wild Booty" is in it! My story is about a girl with a BIG problem, one she'd like to get BEHIND her. Get it? Ha ha.

[NOTE: This story is not at all autobiographical... Well, maybe!]
;-)

This book is really great, with a wide selection of stories that are funny and touching and real. The authors include: Sara Zarr, Ellen Hopkins, Barry Lyga, Carolyn Mackler, Matt de la Peña, Megan McCafferty, Jacklyn Moriarty and more!!!

So check it out!

~Coe~

Tuesday, January 20, 2009

From the Longstockings Mailbox


This question came to us a few weeks ago:

I've noticed that a few of you have more than one publisher, or have switched. And I've noticed that many YA authors (like Elizabeth Scott, Melissa de la Cruz, etc) publish with more than one house quite frequently. I was wondering if any of you could post about this, and how it works. Is it awkward to leave your editor and leapfrog to a different publisher? And does your original editor care if you work with a second editor? Is it okay to try to do this if you want to publish more often, or if you start writing something very different? When is it not okay? Any insights would be great, since I find this all very baffling and interesting!

I asked around to find some answers on this one but haven’t come up with a lot. Which is a little off considering I am one of the Longstockings at two houses! My story is this: my imprint at Harper was very small (Laura Geringer Books which has since closed its doors) and they could only take my teen books, not my middle grade, so when I wrote a middle grade novel I needed to find another home for it. I’m not sure this is typical and it also doesn’t really address this issue of authors like Elizabeth Scott who have teen books at two places.

To answer the other parts of this question: for me it wasn’t at all awkward with my first editor since I had her full blessing to take the middle grade story to another house. About it being okay to try to sell to another house- I would throw this one out to your agent. I think each case is very individual so it depends on your relationship with the house, the contract you have, etc. I think most houses will want a peek at your next book, even if it is very different, though in my case that wasn’t true so obviously that is not written in stone.

I know these answers aren’t super helpful so if anyone else has insight to this question, please share!

#daphne

Monday, January 19, 2009

Dear President Obama

Okay, I know we don't get very political on this blog and I think that's a good thing. But I just can't resist sharing this with you. Who doesn't love letters from kids? And what's also great about this is that the writing teachers at 826 Valencia collected these letters and they've been compiled into a book to be released on Tuesday. The proceeds will benefit 826 National, a series of non-profit writing and tutoring centers around the country. I'm pre-ordering the book right now!

Happy MLK Day,
Lisa GW

P.S. You can listen to some of the kids' letters here.Link

Friday, January 16, 2009

Help me out here!



Okay, so I am working on a wish list for my library, and I suddenly remembered these books that I used to be in love with, back in middle school. But for the life of me, I couldn't remember the titles. Help me remember! Let me set it up for you.

It's written in 1st person. The protagonist is a girl. Still with me? Okay. There are several books, maybe three or possibly four. Not a series, though-- like, it's not Book #1 Shelby and the Bad Idea. The girl has a pretty best friend, blonde. The girl is a brunette. Their families go away together every summer to the beach. There is a boardwalk at this beach.

In one book, said girl throws a fit at a department store when her mother won't buy her a madras shirt. (I remember this detail because at the time, I had no idea what madras was and thought it sounded very exotic.) In maybe the same book, the girl gets really sick, mono or something. She and her best friend have a falling out over this time.

Does this sound familiar? Bueller? Bueller? One last hint: The titles are a little cheesy.

with xoxo
Jenny

Great article on The Newbery by winner Susan Patron

Read this for a very refreshing take on the subject. She writes about her own experiences as a young reader, her writing and her work as a librarian. Here's the part I love most:

"Meanwhile, our teacher read aloud "Charlotte's Web" in daily segments. It was such a powerful experience that I had to rest my forehead on my crossed arms, leaning on my desk, so the other kids wouldn't see my face. It was a story about how the world goes on and on no matter what, in an eternal, reassuring kind of way that you mostly never thought about, and how someone could be such a brave, good friend that it makes you cry and cry. It concerned things nobody had talked to me about, like death, but not as if they were lessons to be learned. The book made me decide to become a writer."

Have a good weekend,
Lisa GW

From the Longstockings Mailbox


We got this question the other day and I wanted to put it out there to see what other people had to say:

I'm interested in using a writing software program to help me organize my ideas for my novel. Do you recommend any particular programs?

I don't actually use software but like this reader I'd be interested to hear people's experiences!

#daphne

Thursday, January 15, 2009

Finally - some good news about reading!

From Monday's Washington Post:
For the first time since the NEA began surveying American reading habits in 1982 ... the percentage of American adults who report reading "novels, short stories, poems or plays" has risen instead of declining: from 46.7 percent in 2002 to 50.2 percent in 2008.

The gain, it states, came entirely from prose fiction. The article goes on, however, to mitigate this jump by saying that "percentage of American adults who report reading any book not required for work or school during the previous year is still declining. "

Check out the article. It's pretty interesting.

*caroline hickey

Toe to Toe with Jen Bradbury


Jen Bradbury’s SHIFT is one of my favorite books from last year. It’s a thriller, an adventure and a coming of age story about two boys on a summer bike trip that only one of them returns home from. In its starred review Booklist say, “Bradbury's keen details about the bike trip, the places, the weather, the food, the camping, and the locals add wonderful texture to this exciting first novel, as Chris remembers the trip and returns to find what really happened. Best of all is the friendship story; many teens will recognize how even between close buddies, there's rivalry, anger, and heartbreak.” I can attest that this is all true!

Jen’s next book sounds equally exciting and she was nice enough to take a break in her writing to go Toe to Toe and tell us about her favorite ways to procrastinate writing and the time she almost flashed a large group of guys:

What is your favorite ice cream flavor?

Anything with coffee or mint (or both!) if we're talking real ice cream, but I always prefer really tangy gelato if I can get it.

What was your most embarrassing moment?

I once got stuck on a blob—a giant pillow-like thing that sits in the middle of a lake. The idea is that one person jumps onto it, crawls out to the edge, and then another person jumps off and pops the first person into the air. At the camp where I used to work (a boys camp no less!), they had one of these, and one day before camp opened, I was hanging out at the lake with all these great guys I'd just met (including my future husband) and trying not to make a fool of myself. Instead, I got stuck on one of the carabineers anchoring the blob to the bottom of the lake when I slid off. And though I got stuck, the Speedo I was wearing at the time ripped from the seat all the way up to where it caught on the carabineer where the straps met between my shoulder blades.

I had to be lifted off the hook by one of those nice guys. Then I had to swim underwater really far to the dock where my towel was, and then hustle out of there before I gave everybody an unintended glimpse at my inner self.

What’s your favorite movie?

Rear Window will always be a favorite. Such an amazing bit of storytelling. I used to teach it during the film unit I taught in my English classes. Another I always recommend to friends is How to Steal a Million with Audrey Hepburn and Peter O'Toole. So fun, offbeat and with two of the most elegant people to ever walk the earth. I know that's two but I can't help it.

What is your favorite way to procrastinate writing?

Watching old TV reruns on Fancast, followed closely by answering interview questions. ☺
Tell us about the very first story that you remember writing/illustrating when you were younger.
I remember something I wrote after I was inspired by a story my older sister wrote, illustrated and bound at school. Her story was called The Bubble that Lasted. And the title pretty much tells you everything you need to know. After her story, I began work on one called Zeal the Seal. I had no idea what "zeal" actually meant, but it rhymed and I could draw a seal. I don't think I ever finished it.

What's something very few people know about you?

I make really good curry.

What's your favorite place on earth?

Wherever I've been most recently, I think. I love West Virginia where my husband is from, and Western North Carolina around the camp where I worked. And I adore where I live now in the Northwest. But if I could click my heels and wish myself anywhere right now, I'd probably plant myself in Kerala in southern India. Warm, lazy, beautiful place.

What is the first car you ever drove?

The very first car I every drove was a 1990 Nissan Sentra. It was a red two door, with a radio that only got AM, changed stations of its own accord (not that there was much worth listening to anyway!), and ate my REM Murmur tape the first time I tried to listen to it.

Jen, thanks for stopping by!

You can find Jen at her website and buy your very own copy of SHIFT here!

#daphne

Wednesday, January 14, 2009

You Know Who Makes A Bright Debut?

Lisa GW! That's who!

It pleases me immensely to share this gushing review that our own Lisa GW scored from Publisher's Weekly for her debut, My Life In Pink and Green.
Displaying a lively familiarity with the topics of makeup, makeovers and adolescent angst, Greenwald makes a bright debut with this timely story. Prospects look grim for the Old Mill Pharmacy run by 12-year-old Lucy's mother and grandmother. In order to drum up more sales, Lucy decides to offer customers beauty tips and free makeup applications. Although her efforts prove somewhat fruitful, her best idea comes after she joins her school's earth club: what if they add an eco-spa to the pharmacy? Like the recent Teashop Girls, also about an enterprising preteen trying to save a family business, this novel takes an upbeat approach to serious issues—money struggles and impending foreclosure—underscoring the optimistic message that one individual can make a difference. Ages 10–14. (Mar.)
Hooray Lisa GW! I know you poured every ounce of yourself into this book, and it's really lovely to see glimpses of you (as an actual person) come through in the review. Because, for those who don't know, Lisa GW is our resident optimist. She's the perfect person to turn to when your feeling poopy about something, for a dose of Silver Lining. And this makes me absolutely positive (like I wasn't already) that I will totally fall in love with Lucy.

Hip Hip Hooray!

-=siobhan=-

Seedlings & Marinade

This is kind of how my brain feels right now (though not as neat and orderly): full of green things sprouting and growing towards sunlight. I'm back to work on the draft I finished in December, and rewriting is my favorite part of the process, so I'm a happy camper.

I'm also following Daphne’s advice and marinating some thoughts about the book coming up next, which I am currently calling "The High School Theater Epic" in my head. Without going into too much detail, it's about a high school production of A Midsummer Night’s Dream. (I knew I'd use that theater degree someday!) I haven't written a word yet, and already I've run up against one major obstacle.

I don't have a clue who my main character is.

I have the whole plot in my head, but there's no obvious protagonist. Which gives me the intriguing idea that maybe this is an ensemble piece. Which hurts my brain, because that is unlike anything I've ever written ever.

So, while I'm distracting myself from worrying about this by worrying about the other book that's not finished yet: what should I be putting into the marinade for the Epic? Specifically, can anyone refer me to other teen books with an ensemble cast? Any books with shifting or omniscient point of view? Besides E. Lockheart's Dramarama, what recent books have focused on theater geeks or a school play?

Excitedly yours,
Kathryne

Monday, January 12, 2009

Kidlit Rules


I had an experience I thought you guys would appreciate. On Friday I did a presentation at my old high school for the entire school which now includes a middle school. It’s only about 200 people but it was young alum day plus faculty were there so to me it felt like a huge crowd. Anyway, after my talk I had time for questions and this teacher asked me about my future and if I planned to “progress” to writing adult books. Before I could even draw in breath to respond the room was filled with hisses and boos. It literally erupted, to the point where I felt bad for the guy as he realized his error. But I loved that the entire room was coming to the defense of kidlit as a fully realized goal! And when the boos had quieted (literally four or five minutes later) I just explained that for me there was no higher goal than writing for kids. Not that I really had to say anything since the crowd had said it all!

#daphne

Learning things 1940s Style

Considering a career as a librarian? Watch this and see if the job is right for you.

Want to know if you're popular? Maybe this will help.

Certainly there are aspects of these films that are quite disturbing but they're moderately entertaining to say the least.

Enjoy,
Lisa GW

Friday, January 09, 2009

Kiddie lit in Korea


Well, I am back from my holiday hiatus! I just spent three weeks in Korea and one week being very sick-- which I still am, but not too sick, at present, to type up a blog post. I was in Korea visiting family and kickin' it with my cousins. It was an amazing trip and long overdue. I did plenty of sightseeing and shopping, and one of my favorite places to stop in (besides stationery stores!) was bookstores. And of course, I went straight to the kiddie section, because, enquiring minds want to know: Just want kinds of American books are Korean publishers acquiring? It's always been a dream of mine to have one of my books published in Korea, if only so my grandmother can read it. I must tell you, the translated kids' books section is small indeed. My fingers are still crossed!

So, without further adieu, a sampling... A few of the answers might surprise you.

* Clarice Bean, by Lauren Child
* The Liberation of Gabriel King by K.L. Going
* Harry Potter, in every incarnation, including Beedle the Bard
* Twilight, because, well, duh!
* The Little Prince by Antoine de Saint-Exupery
* Anne of Green Gables by L.M. Montgomery
* The Curious Incident of the Dog in the Night Time by Marc Haddon
* Prep by Curtis Sittenfeld, which is not YA, but is shelved in both adult and YA, just as it is here!

xoxo jenny

One more reason to love getting older

When I was much younger (okay, 2 years ago), I used to worry out loud all the time that here I was, over thirty, and what had I actually accomplished in my life, really? That was the year most of my friends--many of them younger than I am by several years--got book contracts. While I was over-the-moon thrilled for them, my friends' successes gave me a lot of opportunity to feel completely washed-up already. I was sure my career was over before it even got properly started. I've been over that feeling for a while--being rescued from my cubicle-based day job helped, and discovering that if I never got published I am at least a good teacher--but it takes mental discipline not to slide back into that kind of thinking.

Then yesterday I saw this. Malcolm Gladwell is riffing on University of Chicago economist David Galenson's book, Old Masters and Young Geniuses: the Life Cycles of Creative Ability. The main idea is that some artists--writers, poets, composers, whoever--conquer their fields at the very first try, a lot of us take a lot of years to get it together. My favorite quote:

For example, we sometimes think of late bloomers as late starters. They don’t realize they’re good at something until they’re fifty, so of course they achieve late in life. [...] We also sometimes think of them as artists who are discovered late; the world is just slow to appreciate their gifts. In both cases, the assumption is that the prodigy and the late bloomer are fundamentally the same, and that late blooming is simply genius under conditions of market failure. What Galenson’s argument suggests is something else—that late bloomers bloom late because they simply aren’t much good until late in their careers.

Now, I tend to take a pretty nuanced view of, well, most things, so I don't necessarily see why some late bloomers can't be people who got started late, some be people who were appreciated late, and some other ones be people who had to practice for a really long time. And I think probably a lot of early-recognized prodigies can still improve as they practice.

But read on through the article, which charts the careers of late bloomers Paul Cezanne and Ben Fountain, and you come to this:

That word [patron] has a condescending edge to it today, because we think it far more appropriate for artists (and everyone else for that matter) to be supported by the marketplace. But the marketplace works only for people like Jonathan Safran Foer, whose art emerges, fully realized, at the beginning of their career, or Picasso, whose talent was so blindingly obvious that an art dealer offered him a hundred-and-fifty-franc-a-month stipend the minute he got to Paris, at age twenty. If you are the type of creative mind that starts without a plan, and has to experiment and learn by doing, you need someone to see you through the long and difficult time it takes for your art to reach its true level.

This really struck me, because (a) I get to write full-time, not because of my astonishing monetary success at it, but because my infinitely supportive husband would rather have his wife happy and broke than miserable and earning an income; and (b) it opens up whole new aspects of public-policy arts support.

When I think about arts policy, I think about arts education: making sure that public school students have access to classes in music, art, writing, drama. Nothing drives me crazier than to hear someone say, "well, most kids will never use it, and the real geniuses will figure it out somehow, no matter what they learn in school"--partly because I don't believe it, but mostly because I don't think art should be limited to geniuses. This article lends support to that idea, because it shows that you won't necessarily know from looking at kids which ones are going to turn out to be masters in their fields. It also makes me wonder, besides the artists we're losing because they never get instruction in the art form in which they would excel, how many we're losing because time that should have been spent learning their craft instead went to earning a living.

And it makes me feel pretty lucky about getting older. I may be a late bloomer, but that just means each passing year brings me that much closer to my overnight success.

--Kathryne

Thursday, January 08, 2009

Story #2


A couple of weeks ago I wrote about my awesome experience doing Robert McKee’s Story Seminar and I wanted to throw out another idea he had that I loved. Truth is a big theme for him and in fact when he signs books (you better believe I ran right up there to get mine signed!) he inscribes them with “write the truth”. He thinks that stories expose truth which I think is a really intriguing idea. Not that stories should be message-y or that an author should have some big truth they plan to impart via a book or movie, but that in the exact and deep telling of a fully realized story there is some kind of truth to be found.

He believes that when we experience that kind of story we know we’re in the presence of truth, and that we live our lives a little more fully when we are exposed to the truth. I love that. And I think it’s true- after a really great movie or book my life feels cracked open, bigger and richer than it was before. I see things more clearly and feel them just a bit more deeply. I think it’s why I keep seeking great movies and books and am so happy when I’ve found one.

For writers he says that if you tell the truth of what you know it becomes universal. This is something I’ve always believed, that in the specific details of an honestly told story there is something universal all people can relate to. My favorite example of this is Beverly Cleary’s FIFTEEN one of my all-time favorite books. Through the very specific story of Jane Purdy hooking up with a guy she likes, we see the universal experiences of insecurity, seeking of love, learning to be true to yourself, learning what it means to be with another person. All in a sweet story set in the fifties that has totally outdated dating customs like the debate of whether or not to wear white gloves when going out to dinner.

So what do you guys think? And what are some books that impart truth to you?

#daphne

Wednesday, January 07, 2009

TWINKLE TWINKLE!!!

oh my gosh you guys! Same Difference got a STAR from Kirkus!!!

(STARRED) Vivian, Siobhan
SAME DIFFERENCE

Emily isn’t sold on spending the summer commuting from her wealthy suburban enclave to the Philadelphia College of Fine Arts, but she might as well: Her lifelong best friend “Meg got a boyfriend and I got a hobby. That’s just the way things worked out.” As in A Little Friendly Advice (2008), Vivian focuses on teenage girls’ quests for identity and the consequences for their friendships. Meeting and eventually befriending Fiona, whose intoxicating persona is as studiously bold as her own is retiring, forces Emily to rethink her approaches to art, fashion, friendships and romance. Resentments large and small simmer, then boil over between Emily and Meg, while Fiona turns out to be not quite the virtuoso she initially appeared. Emily finds her way slowly, messily, with breakthroughs spurred by her daily sketchbook exercises, emerging on the other side of summer with a bruised but hopeful heart. Readers who have wondered, “Are these the friends and the life I want to have?” will see themselves reflected in Emily’s achingly real struggles, heartbreaks and triumphs. (Fiction. YA)

(weeps with joy!)

-=siobhan=-

Lonely Girl

could this be pandora's box? who knows?

So...2009 is going to be a pretty crazy year for me. Lots and lots of upheaval. I'm turning thirty in about two weeks. Yikes. And if that weren't enough of a head trip, at the end of the month, I'm relocating away from NYC.

This move has been on the horizon for a while, but honestly, I was too upset to blog about it before now. Not that I don't want to move (I do...I think?), but because the whole prospect is very scary in the abstract. My writing life is about to DRASTICALLY change. The way I approach my work, and my work ethic...everything. And it's got me totally spooked.

See, I count on my writing friends so very much. Not to brag, but I've got a full-on posse here in New York. Editor friends, writer friends, librarian friends. A real awesome group. I roll mob deep! And I see at least one faction of them every single day. Really. Truly.

I'm also very much the kind of writer who works best with typing dates. I need that person right across from me, keeping me honest. Aside from that, I'm always out and about with friends to chat through a plot problem, who will read pages and talk me through them over coffee and cupcakes, or listening to inspiring readings, etc. **

I'm about to leave all of it.

Sure, there's phonecalls, Skype, and the odd writing retreats. My family lives right outside the Lincoln Tunnel, and I'm sure I'll be back often...but it's going to be waaaay different, obvs.

The nagging question: How will I write?

The answer: In my brand new, beautiful office (alone). Or at one of the three coffee shops in walkable distancte(alone). Or at the gorgeous town library (alone).

I guess I'll make it work. I'm sure I will. I'll have to.

It's not like all writers live in NYC. But I have, for essentially my whole writing career. It's what I'm used to.

So I'm definitely freaking out. You'll hear from me about how it's going, how I've hopefully developed new habits come February. Believe me. You'll hear from this lonely girl all the time.

-=siobhan=-

**rereading this part, I sound like a very distracted writer! Perhaps I will overcome this and become SUPER productive? One can hope!

Tuesday, January 06, 2009

This year, I have no resolve.

I discovered this irresolute state earlier this week, when I was sitting with my journal trying to remember what I resolved last year. I finally looked it up in last year's journal, and promptly gave up on the whole idea of resolutions.

See, all of my resolutions from last year either went away ("grade and return homework within 2 days" is no longer relevant), turned out to be a bad idea (I tried cooking at least three times a week and promptly gained half a stone), or worked themselves into my life on their own (I now go to the gym five times a week, because I work from home and need to make sure I leave my house once a day). My other big resolution--"SELL THE D**N BOOK, D**N IT"--turned out not to be in my power (and frankly, if learning to accept that was the only thing I accomplished last year, I didn't do too badly).

So this year, I'm not starting out with a list of goals, which I have resolved to achieve. I'm starting out with a big, general intention: this year, I will pay attention. If my habits are working for me, I won't mess with them for the sake of some idea about what I should be doing. If things writing-wise are going really well, I will pay attention to what I'm doing and do my best to keep it up. If I find myself in a rut, I will pay attention to what's holding me there, and do what I can to change that.

--Kathryne

Monday, January 05, 2009

My 2009 writing resolution

Normally my resolution is to "finish new book and sell it." And it worked for 2006 and 2007. But in 2008, something happened that got in the way. And that something is my wee Bridget pictured to the left. So I think I need to be a little less cut and dried this year.

I have a draft of a book that needs mucho revising, and I'd like to get that done and off to my agent. But I also have about 25 pages and an outline of another book that I've been wanting to do for a few years, and I'd really like to finish that too. So I could make those two projects my goals.

OR, I could be interesting and give myself a theme for 2009 that encompasses both my writing and personal goals. And that's what I've decided to do. And my theme is...

ENJOY IT.

I'm going to enjoy the revising and writing I want to do, whether it goes swiftly, slowly, or super-slowly. I'm going to enjoy every mundane mommy moment, when Bridget has spit up on my only clean shirt, and she's teething, and I'm desperately trying to think of a way to entertain her. And I'm going to enjoy the feeling of being constantly overwhelmed by all the things I want to do for my books and do for my daughter, though I'll never have time to do half of them.

I'm trying to think of a theme song to go along with my ENJOY IT mantra. If you know one, please share!

PS- Auntie Siobhan gave Bridget this Green Eggs & Ham onesie. Its kidlit reference clearly makes the picture blog-appropriate, don't you think? (And seriously, how cute is my baby? I mean, really!)

*caroline hickey

Friday, January 02, 2009

New literary crush for me

I haven't finished the book yet but I must say that Michael McGinnis from The Possibilities of Sainthood by Donna Freitas is my newest literary crush. But the thing is, Antonia (the main character and narrator) is in love with Andy Rotellini. It's true that I haven't finished the book yet so my feelings might change, but right now I'm definitely rooting for Michael. What does everyone else think? If you've read the book, please weigh in. Are there other Michael McGinnis fans out there?

Happy 2009,
Lisa GW